Skip to main content

When coins fell on head of Madhuri Dixit at popular theatre in Mumbai

(Author: Alex Almeida)

Before Tezaab(1988), Madhuri Dixit had done about eight to nine films in span of four years but was still waiting for her dew finally which happened with Tezaab.

During the release of the film Madhuri Dixit wasn’t in the city but was abroad and had got the news that the film is a big hit and her song 'Ek do teen...' is a chartbuster. The day Madhuri reached back to Mumbai she saw a huge crowd gathered outside the airport to welcome her and she could hear only one thing 'Mohini... Mohini... Mohini...'

She had never imagined that the film and the song will create such an impact.Madhuri had only known that film is a hit but never taught she would be a craze. Touched by the scene at the airport Madhuri felt that if this is a scene out here what would be the craze at the cinema halls. She then made up her mind to watch the film at a cinema hall in Mumbai and along with her sister went dressed in a burkha to escape the crowd.

Within five and a half minutes of the film Madhuri Dixit saw her stardom on screen. When the song Ek do teen came on screen audiences in theatres went crazy she couldn’t hear the song but only whistles and claps. Few  crazy fans started throwing coins on screen some of which came and fell on her head.

35 years on Tezaab and Ek do teen still remains a chartbuster and played at functions even today.

(Writer of this article: Alex Almeida is a passionate Hindi cinema buff with a deep love for the art of storytelling.)

Comments

Popular posts from this blog

Dev Anand's Courageous Stand Against Indira Gandhi: A Bollywood Icon's Political Journey

(Author: Kaifi) Dev Anand , the iconic Bollywood actor known for his charisma on the silver screen, once ventured into the tumultuous world of Indian politics . This remarkable episode in his life sheds light on his passionate political engagement and his vision for a better India. In this narrative, we explore the key points of Dev Anand's political journey, a story that intertwines stardom, principles, and the desire for positive change. Dev Anand's entry into the political arena was marked by his opposition to Indira Gandhi 's Emergency in 1975-1977. While many in the film industry chose to remain silent, he boldly voiced his dissent, setting the stage for his subsequent political endeavors. In an act of moral courage, he refused to support Sanjay Gandhi and the Youth Congress , citing a "call of conscience." This principled stand had repercussions as his films were banned from television, and his name was forbidden on All India Radio . In 1977, De

Lalita Pawar’s fear in real life

(Author: Alex Almeida) In the journey of Hindi cinema, it has produced many vamps like Bindu, Helen, Aruna Irani, Jayshree T, Shoma Anand, Kunika, Navneet Nishaan, Supriya Karnik, Huma Khan, Faryal, Bela Bose , and many more. But the mother of all these vamps is none other than Lalita Pawar . Lalita Pawar started acting at a very young age in the film Raja Harischandra (1928) . And later went on to play leading roles in many films in the '40s. In the year 1942, in the film Jung-E-Azadi , she had to be slapped by her co-star Master Bhagwan . The timing of the shot went wrong, and Bhagwan Dada slapped her so hard that it damaged her eye. The damage was a permanent loss to her, and she had many surgeries to be done as her eye vein was damaged. After three years of treatment, she was left with a defective eye, forcing her to switch to character roles. In the coming years, Lalita Pawar became one of the most established vamps of Hindi and Marathi cinema that people would re

For 12 years 'Naina Barse Rimjhim Rimjhim' had no takers

(Author: Alex Almeida) Who Kaun Thi (1964) one of the finest thrillers during the golden era of Indian Cinema with memorable haunting music by Madan Mohan which gave evergreen songs like Lag Jaa Gale, Jo Humne Dastaan Apni Sunai,Shok Nazar Ki Bijliyaan,Tiki Riki Tiki Riki Takori and Naina Barse ... The music of the film was a big hit. Lag Ja Gale and Naina Barse became all time classics and played even today by many on their cellphones, there was a time when the haunting tune of Naina Barse had no takers for twelve years. Madan Mohan had composed the song in 1952 but no filmmaker wanted to use the tune as they were not finding a haunting situation in their film where the song would work.  'Who Kaun Thi' was made on a complete different note much ahead of her times where every five minutes there would be a haunting situation in the film. Sadhna and Raj Khosla were looking for a haunting tune for the film and came across the tune. Madan Mohan then decided to u