Skip to main content

Marathi Superstar Ravindra Mahajani Found Dead: A Tragic Loss to the Industry

(Author: Alex Almeida)

The weekend was just beginning and early morning while still on my bed got a WhatsApp message which was very tragic and shocking to me and many others who got the news which said that Marathi superstar Ravindra Mahajani found dead in his apartment.
The name needed no introduction to the Marathi audiences while die hard lovers of Hindi cinema will still remember him for acting in few Hindi films. What the audiences most remembered about Ravindra Mahajani rather than being a superstar is his personality as he was considered as the most and only handsome hero of Marathi cinema till date.
He was often referred as Vinod Khanna of Marathi films due to his resemblance with him.While his competitor Ashok Saraf also mentioned that he was one of the most handsome heroes ever produced by Marathi industry.
Ravindra Mahajani was born on 7th October 1949 in Belgaum in Karnataka. He had the charming personality of being a hero and hence decided to try his luck in films and came to Mumbai where he started hunting for work, drove a taxi for living and started doing plays on Marathi stage.
His dream acting debut came with the film Saath Hindustani (1969) which was also the debut of superstar Amitabh Bachchan. This film had him in a small role as a police inspector which went unnoticed But he continued his struggle on Marathi stage  where he got noticed for his play Janta Ajanta and doors opened for him in the film industry with one of the biggest production houses V Shantaram films which gave us many classics in Hindi as well as Marathi. Kiran Shantaram son of V Shantaram was making his directional debut with Zunj (1975) and launched newcomers Ranjana and Ravindra Mahajani as lead pair. The film became a huge success and further the lead pair went on to work in many hit films together until the early 80s.

Ravindra Mahajani was riding high on success with his debut film and in the following year 1976 he gave one of the biggest hit of his career as Aaram Haram Haye as a Diwali gift to his fans co staring actress Roohi (wife of Laxmikanth Berde).The songs of the films also became chartbusters, Prem Vedi Radha, Jaishil Kuthe Muli Tu are still remembered even today.
Buy tasting success with his first two films Ravindra Mahajani soon became a star of 70s Marathi films and remained at the top until 1984 with competitor’s like Ashok Saraf, Dada Kondke, Kuldeep Pawar, Yeshwant Dutt & Arun Sarnaik.
He had back to back successful films like Lavani Zaali Ga Raagini (1976), Chandoba Chandba Bhaglas Ka (1979), Duniya Kari Salaam (1979), Haaldkunku (1979), Savli Premachi (1980), Choravar Mor (1980),Soon Maji Laxmi (1981), Ghondalat Ghondal (1981), Galli Te Dilli (1982), Thorli Zau (1982), Devta (1983), Hey Daan Kun Kunvache (1983) and many more .

Some of his biggest hits released then was Laxmichi Paule (1982) which had some chartbuster songs which are still heard by Marathi speaking audiences like Je Hote Have, Majya Punyaeeche Bal, Nath Tuje Mi Jhaale and many more. Raakhandar released in the same year as Laxmichi Paule was one of his films which was very much ahead of its time which is quite bold for Marathi audiences even today but story line of the film had punching lines with its bold theme. Above all his most memorable films remains Mumbaicha Fauzdar (1984) this was one of his last successful Marathi film as a lead hero after which he decided to give up on lead roles.
Between 1975 to 1984, Ravindra Mahajani worked with top male actors as mentioned above but one actor which was his co-star in one film would a surprise to many it was our little master cricketer Sunil Gavaskar in the film Savli Premachi. While his female costars were Priya Tendulkar, Jayshree Gadkar, Roohi, Kamini Bhatia, Usha Naik, Usha Chavan, Reema Lagoo and above all Ranjana with whom he did most of his films and was considered as a hit pair. He also got a chance to share a screen space with legendry actress like Nanda in Lavani Zali ga Ragini.

Aftee making his debut in Saath Hindustani he never did a Hindi film for a longer period of time and returned back to Hindi cinema with Bahu Ho Toh Aisi (1982) which was during the peak of his career in Marathi films. He went on to do films like Yeh Preet Na Hogi Kam (1986), Nain Mile Chain Kahan (1986), Kanoon Kanoon Hai (1987) and Wahem (1987), which all went without a trace. Goonj (1989) is considered one of his memorable roles in Hindi films where he played the main antagonist Dennis Pereira.
At one point of time director N Chandra approached Ravindra Mahajani to play lead in Ankush (1986). But it couldn’t work out due to pricing issues. The character of Nana Patekar who later played the lead in the film was named Ravindra after the actor. 
After 1984 he didn’t taste more success as a hero as he was looking to switch his career into real estate in Pune. But went to do handful of films in supporting roles like Maherchi Manse (1984), Sarja (1987), Kalat Nakalat, Jeeva Sakha (1992) and Jagavegli Paij (1992).
During this time he decided to try his luck at direction and directed the film Julum (1990) with himself in double role. The same year he had his final film released as a lead hero Dhadaka which was started in mid 80s and also saw Kapoor brothers Raj Kapoor and Shammi Kapoor in their only Marathi film in the song Abdullah Mama.This film was delayed for a long and this became his last film in a lead role.
In the early 90s Ravindra Mahajani quit acting for a longer period of time and concentrated on his real estate business. But a time came in his life when his business suffered a lot in early 2000 where his properties were also sealed. It was during this time his son Gashmeer Mahajani who was in his teens took up the responsibility of the family and started a dance studio GRM Dance Academy and bailed the family out of crisis.
In 2002 Ravindra Mahajani decided to get back to direction and made the film Satte Saathi Kahi Hi which was debut of Subodh Bhave he was also the producer of the film. After being away from acting for many years he made a comeback with Rangiberangi (2009) and went on to do films like Aajoba Vayat Aale (2011) where he almost played the title role, Sukhanya (2012) and Kaay Raav Tumhi (2015).

When his son Gashmeer Mahajani decided to be an actor he went on to support him fully in promoting him and also did cameo in his debut film Carry on Maratha (2015) and second film Deool Band in the same year. His son today is a big name in Marathi industry and also worked in Hindi films and television.
After almost 30 years Ravindra Mahajani made a comeback to Hindi film with Ashutosh Gowariker's Panipat where he played the role of Malharrao Holkar also costarring his son alongside him. This remains his final release after this film there wasn’t much heard about him until the faithful morning of 14th July 2023.
On Friday afternoon a society in Pune's rural area Talegaon Dabhade complained to police about foul smell coming out of a flat when the cops broke the door they found that person living in the flat had passed away almost two to three days back and identified him has Ravindra Mahajani. The neighbors only came to know after his death that it was the superstar who was living in the flat as he would not interact much with anybody and no one would come to meet him.
it was later discovered that he was living away from his family for some time and shifted to this rented apartment only eight months back as his health wasn’t doing well and he wanted to stay at peaceful place filled with nature.
Thou life became cruel to Ravindra Mahajani and he had a tragic end he will always be remembered as the most handsome hero Marathi cinema ever produced.

(Writer of this article: Alex Almeida is a passionate Hindi cinema buff with a deep love for the art of storytelling.)

Comments

Popular posts from this blog

Dev Anand's Courageous Stand Against Indira Gandhi: A Bollywood Icon's Political Journey

(Author: Kaifi) Dev Anand , the iconic Bollywood actor known for his charisma on the silver screen, once ventured into the tumultuous world of Indian politics . This remarkable episode in his life sheds light on his passionate political engagement and his vision for a better India. In this narrative, we explore the key points of Dev Anand's political journey, a story that intertwines stardom, principles, and the desire for positive change. Dev Anand's entry into the political arena was marked by his opposition to Indira Gandhi 's Emergency in 1975-1977. While many in the film industry chose to remain silent, he boldly voiced his dissent, setting the stage for his subsequent political endeavors. In an act of moral courage, he refused to support Sanjay Gandhi and the Youth Congress , citing a "call of conscience." This principled stand had repercussions as his films were banned from television, and his name was forbidden on All India Radio . In 1977, De

Lalita Pawar’s fear in real life

(Author: Alex Almeida) In the journey of Hindi cinema, it has produced many vamps like Bindu, Helen, Aruna Irani, Jayshree T, Shoma Anand, Kunika, Navneet Nishaan, Supriya Karnik, Huma Khan, Faryal, Bela Bose , and many more. But the mother of all these vamps is none other than Lalita Pawar . Lalita Pawar started acting at a very young age in the film Raja Harischandra (1928) . And later went on to play leading roles in many films in the '40s. In the year 1942, in the film Jung-E-Azadi , she had to be slapped by her co-star Master Bhagwan . The timing of the shot went wrong, and Bhagwan Dada slapped her so hard that it damaged her eye. The damage was a permanent loss to her, and she had many surgeries to be done as her eye vein was damaged. After three years of treatment, she was left with a defective eye, forcing her to switch to character roles. In the coming years, Lalita Pawar became one of the most established vamps of Hindi and Marathi cinema that people would re

For 12 years 'Naina Barse Rimjhim Rimjhim' had no takers

(Author: Alex Almeida) Who Kaun Thi (1964) one of the finest thrillers during the golden era of Indian Cinema with memorable haunting music by Madan Mohan which gave evergreen songs like Lag Jaa Gale, Jo Humne Dastaan Apni Sunai,Shok Nazar Ki Bijliyaan,Tiki Riki Tiki Riki Takori and Naina Barse ... The music of the film was a big hit. Lag Ja Gale and Naina Barse became all time classics and played even today by many on their cellphones, there was a time when the haunting tune of Naina Barse had no takers for twelve years. Madan Mohan had composed the song in 1952 but no filmmaker wanted to use the tune as they were not finding a haunting situation in their film where the song would work.  'Who Kaun Thi' was made on a complete different note much ahead of her times where every five minutes there would be a haunting situation in the film. Sadhna and Raj Khosla were looking for a haunting tune for the film and came across the tune. Madan Mohan then decided to u